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Kings of Leon — My Whole World (Love Tap Records / Virgin Music)

Kings of Leon released their tenth studio album, O My Beloved, on Friday, November 6. The Nashville band marks a first in a twenty-five-year career: for the first time, all four members produced an entire record themselves, with no outside producer involved.

An album built around family and childhood

Carried by lead single “My Whole World”, released in September, O My Beloved steps back from the arena-rock sound that built the band’s reputation in favour of a more intimate tone. Singer Caleb Followill wrote part of the record while recovering from an injury, away from his family, and the four cousins revisit their shared childhood, gratitude and the passing of time throughout the album. “My Whole World” was first played live at a surprise show in a small Nashville venue before its official release.

The second single, “Cold Blue Dawn”, got an unusual video treatment: The Weather Channel built a lyric video out of NASA Landsat satellite imagery, spelling out the song’s words through the shapes of rivers, coastlines and mountain ranges.

Kings of Leon, cover art for the single Cold Blue Dawn, from the album O My Beloved
Kings of Leon — Cold Blue Dawn (Love Tap Records / Virgin Music)

A mixed critical reception

Reviews of O My Beloved are far from unanimous. UK outlet Clash calls it a triumphant tenth album, praising its songwriting and its unabashed Americana mood. Louder Sound describes a record with no groundbreaking ambitions, but one that delivers exactly what fans now expect from the band. Riff Magazine is harsher, arguing that the change of pace sometimes falls flat and leaves several songs sounding too safe.

The choice to self-produce marks a break from the approach the band has followed since the early 2010s, when it worked with a string of outside producers, from Angelo Petraglia to Markus Dravs. This time, the Followill brothers and their cousin Matthew ran the sessions on their own, a decision that helps explain the rawer, more personal tone of the record, a long way from the polished sound of their best-selling albums.

A soft US debut, a strong one in the UK

Commercially, the album is off to a mixed start depending on the market. In the United States, it opens at a career-low number 35 on the Billboard 200. In the United Kingdom, where Kings of Leon has kept a loyal fan base since the success of “Sex on Fire” and “Use Somebody” fifteen years ago, the record instead debuts straight at number 2 on the chart.

The gap between the two markets reflects a pattern familiar to many rock bands of this generation: a steady, loyal fan base across the UK and Europe, but a shakier footing in the US, where pop and hip-hop now dominate the all-genre charts. It is likely to feed the recurring debate over rock’s place on the sales charts, without denting the creative freedom the band put on display with this tenth record.

KOYSAR, a family affair

The track “KOYSAR” (short for “Kick Off Your Shoes and Run”) captures the record’s spirit well. Its video shows the band members alongside their children and loved ones spending a day at a funfair, a long way from the usual imagery of a rock video. The song looks back at the four musicians’ own childhoods, seen through the lens of their experience as parents today.

The band has also announced a North American tour for 2027, kicking off on May 8, along with a London date. For a band nearing its twenty-fifth anniversary since its breakthrough in the American South, this tenth album marks a shift: away from the arena-filling sound that built its reputation in the 2000s, and towards something more intimate, closer to a family story.